Shruti Parthasarathy
Shruti Parthasarathy
Shruti Parthasarathy is an art historian and editor with a close focus on Indian modernism in art. She has worked on Indian modern and contemporary art for close to a decade, formerly with DAG, New Delhi, within exhibition curatorial premises and on a large number of art historical volumes. She also helped set up and headed DAG’s arts archive, and retains a close interest in archives as both a repository and site of knowledge creation. Her writings include the lead essay and original research in Group 1890: India’s Indigenous Modernism (DAG, 2016) and a forthcoming monograph on the painter Ram Kumar. Her research interests include twentieth-century Indian art’s tussles with ‘modernity’, and excavating its voices and narratives charting a more individual, and regional, modernism.
She is also a literary translator, working across literature, art and cinema. Her forthcoming work of translation is Mihir Pandya’s Hindi Cinema via Delhi (Harper Collins, 2020), while a work-in-progress is a three-volume translation project exploring literary fiction and a travelogue.
Shipra Deo
Shipra Deo is a development practitioner for last 13 years. She has worked in the fields of community organisation, livelihoods promotion, women empowerment, literacy and leadership. She has provid
Roland Boer
Roland Boer is not your average scholar, nor is he a typical theologian. The academic who enjoys stirring up debate with articles under such arresting titles as 'Lenin the Nudist', believes a measu
Kamla Bhasin
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Deepak Borgave
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Aparajita Endow
N/ASiobhan Lambert-Hurley
Siobhan Lambert-Hurley is Senior Lecturer in Modern History at Nottingham Trent University in the United Kingdom. Her research focuses on women, gender and Islam in South Asia with a particular em