K.B. Goel (1930–2018) was a Delhi-based Indian art critic who wrote on national-level art from the 1950s to the 1990s. In this period, he closely observed and commented on emerging Indian art and its linkages with contemporary global art, which were of particular interest to him.
Active mainly as a newspaper reviewer, K.B. Goel also wrote lengthy reflective assessments that stand out for an interpretative and often theory-based approach. Writing on some of the most definitive artists, movements and styles of twentieth-century Indian art, K.B. Goel bears the rare distinction of transitioning from his modernist training to theorize on the earliest postmodern developments in Indian art, installation art
The history and trajectory of Indian modern art, a little over a century old by broad consensus, has begun to receive close scholarly attention only in the last two or so decades. And within it, it...
Saniya is an award-winning, leading contemporary Marathi writer, with a large body of woman-centric writings. Her work includes the novels Sthalantar (1994), Awartan (1996) and Avakash (2001), and the
Prof. Haragopal, a distinguished political scientist, is currently ICSSR National Fellow with the Tata Institute of Social Sciences, Hyderabad. He was with the University of Hyderabad as a professo
Damodar Dharmananda Kosambi (July 31, 1907 – June 29, 1966) was a man with a Renaissance type of versatility: he had a wide range of knowledge without sacrificing depth. He was a mathematician, stat
Paul Phillips has recently retired from the University of Manitoba after thirty-four years in the department of Economics. He is a Professor of American Studies at the University of Ljubljana in Sl
Fréderike Geerdink is a Dutch journalist who started reporting from Istanbul, Turkey, in 2006. From 2012 to 2015, she was the only foreign journalist based in Diyarbakir, Turkey. She was arrested
