K.B. Goel (1930–2018) was a Delhi-based Indian art critic who wrote on national-level art from the 1950s to the 1990s. In this period, he closely observed and commented on emerging Indian art and its linkages with contemporary global art, which were of particular interest to him.
Active mainly as a newspaper reviewer, K.B. Goel also wrote lengthy reflective assessments that stand out for an interpretative and often theory-based approach. Writing on some of the most definitive artists, movements and styles of twentieth-century Indian art, K.B. Goel bears the rare distinction of transitioning from his modernist training to theorize on the earliest postmodern developments in Indian art, installation art
The history and trajectory of Indian modern art, a little over a century old by broad consensus, has begun to receive close scholarly attention only in the last two or so decades. And within it, it...
Randa Jarrar (born 1978) is an American writer and translator. Her first novel, the coming-of-age story A Map of Home (2008), won her the Hopwood Award, and an Arab-American Book Award. Since then
Reshma Valliappan is Founder-Director of Mind Arcs and The Red Door that work in the area of breaking barriers between normalcy and madness, along with a platform to advocate for the rights of pers
Vishwajyoti Ghosh is the author of the graphic novel Delhi Calm, a political graphic novel set in the '70s and a visual book of postcards Times New Roman & Countrymen. Ghosh is also the creator
