K.B. Goel (1930–2018) was a Delhi-based Indian art critic who wrote on national-level art from the 1950s to the 1990s. In this period, he closely observed and commented on emerging Indian art and its linkages with contemporary global art, which were of particular interest to him.
Active mainly as a newspaper reviewer, K.B. Goel also wrote lengthy reflective assessments that stand out for an interpretative and often theory-based approach. Writing on some of the most definitive artists, movements and styles of twentieth-century Indian art, K.B. Goel bears the rare distinction of transitioning from his modernist training to theorize on the earliest postmodern developments in Indian art, installation art
The history and trajectory of Indian modern art, a little over a century old by broad consensus, has begun to receive close scholarly attention only in the last two or so decades. And within it, it...
Kesavan Veluthat is Professor of History at the University of Delhi. His more important publications include The Political Structure of Early Medieval South India (1993), The Early Medieval in South I
Rada Iveković, philosopher, writer and feminist was born in Zagreb, Yugoslavia. She is currently Programme Director at the Collège International de Philosophie, Paris. She has taught at
Renuka Ray became a Gandhian and a nationalist at sixteen when she met Mahatma Gandhi at the house of her uncle, Chittaranjan Das, in Calcutta. Aside from her political career, she was a well-known
