K.B. Goel (1930–2018) was a Delhi-based Indian art critic who wrote on national-level art from the 1950s to the 1990s. In this period, he closely observed and commented on emerging Indian art and its linkages with contemporary global art, which were of particular interest to him.
Active mainly as a newspaper reviewer, K.B. Goel also wrote lengthy reflective assessments that stand out for an interpretative and often theory-based approach. Writing on some of the most definitive artists, movements and styles of twentieth-century Indian art, K.B. Goel bears the rare distinction of transitioning from his modernist training to theorize on the earliest postmodern developments in Indian art, installation art
The history and trajectory of Indian modern art, a little over a century old by broad consensus, has begun to receive close scholarly attention only in the last two or so decades. And within it, it...
Amrita Chhachhi, Senior Lecturer, Women, Gender and Development, Institute of Social Studies, The Hague, has published extensively on gender, labour and globalisation and citizenship, identity politic
Jasbir Jain (born 1937) is a writer and Honorary Director of the Institute for Research in Interdisciplinary Studies, Jaipur. She is the recepient of many awards and fellowships and has authored se
Peter D. Thomas (Ph.D, 2008) studied at the University of Queensland, Freie Universität Berlin, L’Università “Federico II”, Naples, and the Universiteit van Amsterdam. He has published wide
Richard Miller Flanagan (born 1961) is an Australian novelist who lives in West Hobart, Tasmania. He is the author of The Sound of One Hand Clapping, Gould's Book of Fish and The Narrow Road to the
James D. Cockcroft is a bilingual award-winning author of forty-five books on Latin America, Mexico, Latinos, culture, migration, and human rights. He is Internet professor for the State University
