K.B. Goel (1930–2018) was a Delhi-based Indian art critic who wrote on national-level art from the 1950s to the 1990s. In this period, he closely observed and commented on emerging Indian art and its linkages with contemporary global art, which were of particular interest to him.
Active mainly as a newspaper reviewer, K.B. Goel also wrote lengthy reflective assessments that stand out for an interpretative and often theory-based approach. Writing on some of the most definitive artists, movements and styles of twentieth-century Indian art, K.B. Goel bears the rare distinction of transitioning from his modernist training to theorize on the earliest postmodern developments in Indian art, installation art
The history and trajectory of Indian modern art, a little over a century old by broad consensus, has begun to receive close scholarly attention only in the last two or so decades. And within it, it...
Abhirami Girija Sriram, who lives in Chennai, is an editor and translator. Having worked in publishing for over a decade, she is particularly interested in literature in translation from Tamil and
Rubina Saigol is a Pakistani feminist scholar and educationalist. She has authored and edited several books and papers in English and Urdu on education, nationalism, the state, ethnicity, religious
