K.B. Goel (1930–2018) was a Delhi-based Indian art critic who wrote on national-level art from the 1950s to the 1990s. In this period, he closely observed and commented on emerging Indian art and its linkages with contemporary global art, which were of particular interest to him.
Active mainly as a newspaper reviewer, K.B. Goel also wrote lengthy reflective assessments that stand out for an interpretative and often theory-based approach. Writing on some of the most definitive artists, movements and styles of twentieth-century Indian art, K.B. Goel bears the rare distinction of transitioning from his modernist training to theorize on the earliest postmodern developments in Indian art, installation art
The history and trajectory of Indian modern art, a little over a century old by broad consensus, has begun to receive close scholarly attention only in the last two or so decades. And within it, it...
Antonio A. Santucci (2 October 1949 - 27 February 2004) was the Director of the Center for Gramscian Studies at the Istituto Gramsci in Rome. He taught political science at various universities in
Githa Hariharan's work includes novels, short stories, essays, newspaper articles and columns. Her first novel – The Thousand Faces of Night – won the Commonwealth Writers' Prize i
Seema Kazi has been educated in India, the Netherlands, and the United Kingdom. She has served on the board of directors of the Association for Advocacy and Legal Initiatives, a feminist legal advo
