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Abhishek Majumdar is the founder and artistic director of Indian Ensemble. He is a playwright and theatre director and educator with numerous plays and accolades to his credit. His playwriting credits include Harlesden High Street (winner of the Metroplus Playwright’s Award), Djinns of Eidgah (produced by the Royal Court Theatre), Kaumudi and Muktidham. He has directed Treadmill by Sandeep Shikhar, Gasha by Irawati Karnik and also his own plays, Kaumudi, Thook and Muktidham.
He holds a Master’s degree in theatre from LISPA (London) and was conferred the Shankar Nag Theatre Award by Ranga Shankara (Bengaluru) in 2014. He is currently working on two commissioned plays – #supernova (as a director) for the Schauspielhaus Freiburg and Pah-La (as a playwright) for the Royal Court Theatre.
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Lynda Nead
Lynda Nead is Pevsner Professor of History of Art, Birkbeck College, University of London.
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Tahira Naqvi
Tahira Naqvi is a translator, writer, and Clinical Professor in the Department of Middle Eastern and Islamic Studies at New York University, where she teaches Urdu language and literature. She has tra![](https://mayday.leftword.com/pub/static/frontend/leftword/luma_child/en_US/images/no-image.png)
Rahul Sankrityayan
Rahul Sankrityayan (1893–1963) was an Indian polymath who is often remembered as the father of Hindi travel writing. He was also known for his role in the revival of Buddhism in India, as co-foun
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Saidiya Hartman
Saidiya Hartman has taught at the University of California at Berkeley and is now a professor at Columbia University. She is the author of Scenes of Subjection and Lose Your Mother. She lives in Ne
![](https://mayday.leftword.com/pub/static/frontend/leftword/luma_child/en_US/images/no-image.png)
Talmiz Ahmad
Talmiz Ahmad (born 1951) is an Indian diplomat who has served as Indian Ambassador to several countries in the Middle East.
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Dorothy M. Figueira
Dorothy M. Figueira is Professor of Comparative Literature at the University of Georgia. She is the author of The Exotic: A Decadent Quest and Translating the Orient: The Reception of Sakuntala in
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